about kilims

Kilims (a Turkish word, the arabic “hanbel” is used as often in Morocco), are flatwoven rugs as opposed to knotted, pile rugs; they can be as light as a blanket or heavier and stiffer depending on the tightness of the weave. They are usually woven by muslim women of the nomadic and semi-nomadic tribes and serve a variety of  uses. An average size rug of this type will take about six months to weave.

(For a more detailed description of the rugs see our own discussion page and the links to other sites in the adjacent panel.)

They can be used as wall hangings, screens, throws or floor coverings.

On the floor - put down on a non-slip underlay; this will protect the rug from becoming worn unevenly.

On the wall - carefully stitch a backing strip to the upper end through which you can pass a pole or rod from which the kilim can be hung

If used in high traffic areas you might want to protect the rug by applying a scotchguard solution. There are numerous specialist cleaning companies for these rugs and regular cleaning is recommended.

More detailed advice can be found on Marla Mallett's website,  (http://www.marlamallett.com/mounting.htm) and in Hull & Luczyc-Wyhowska's book entitled "Kilims: the complete guide" (published by Thames & Hudson).
links to sites of related interest

Berber Creations is a Moroccan site with a full range of art and craft including musical instruments and furniture as well as textiles

Where rug enthusiasts can meet - a fascinating site with discussion forums and articles for those in search of knowledge

Clive Rogers Oriental Rugs, sells rugs and a lot more - from 20 th century furniture to oriental ceramics. 

A warehouse of tribal art. Rugs, kilims, tribal bags, costume, books and jewellery. Bazaar, UK Exhibitions and Rufus Reade Tours




 
American designers:

Moroccan rugs were often used by American architects and designers of the twentieth century, as an essential counterweight to the spaces their work defined.

This extract from R M Schindler's notebooks  helps explain what they found in these rugs:

"Textures with a diectional tendency may lead the eye, and through this motion change the apparent size and proportion of the room, or affect the apparent weightiness of the enclosure. Mechanically achieved textures soon become commonplace and tiresome. A texture made by the loom, being part of the weaving process, is less objectionable."


One of the leading American experts on Moroccan rugs, Brooke Pickering, has detailed the use of these rugs by Frank Lloyd Wright, the Eames's and Alvar Alto in a 2001 article in Cloudband - http://www.cloudband.com/

The marketplace


As can be seen from our discussion page, collectors in America place a high value on these textiles and it seems likely that European markets will follow that lead. Some leading London stores such as Libertys have begun to show Moroccan work, but the market is not over developed and consequently prices in the UK are much below those in the USA. The hard edged design of these textiles and the boldness of their style, lends them a much more modern feel than work from the traditional kilim producing areas. Good quality work should increase in value. We reproduce below an article originally published in Auction Watch Daily, (now "Vendio!").



Moroccan Rugs
by Jori Finkel
2.22.01


Persian rugs can be exquisite but expensive. A first-rate Turkish kilim is hard to find. The market for antique Navajo textiles--as well as tourist demand for Santa Fe knockoffs--has peaked. But hand-woven Moroccan rugs are still available for next to nothing.

In fact, the market is so young that these pieces rarely come up for sale at the major rug auctions at Christie's or Sotheby's, which these days is more likely to put the occasional piece on Sothebys.com. Better bets are Cloudband.com, the e-commerce site founded by the editors of Hali magazine, "world arts" sites novica.com and eziba.com, and the arts and antiques section of eBay.

Why Not Rabat
"Don't get me wrong: a fine Persian rug is nothing to sneeze at," said Brooke Pickering, a New York dealer who co-authored Moroccan Carpets (1994). "But with Moroccan rugs, you can get a real tribal rug that won't break the bank. And these rugs have a great informality in their geometry, not that tight floral pattern."

After years of dealing privately in Manhattan, Pickering recently opened a High Falls, New York, Moroccan import shop (Brooke Pickering Moroccan Rugs) that handles a range of flat-woven and pile rugs from Morocco's Middle Atlas region, High Atlas region, and the plains of Marrakesh.

She does not, however, sell commercial Rabat carpets. Although these rugs are produced in the capital of Morocco, they are derivative in their origins, borrowing design motifs from Persian and Oriental rugs. As many specialists see it, Rabat rugs give Moroccan rugs a bad name.

The Flat Weaves
More representative of Morocco is the flat-woven tribal rug, which can be used as a blanket, floor covering, or, folded up, as seating. Typically made out of wool (with cotton touches for white highlights), these flat weaves vary from region to region in design and color. Kilims from the Middle Atlas region often consist of a red ground with colored design stripes, carrying a geometric pattern, running length-wise along the carpet. Flat weaves from the High Atlas region tend to be starker in design, with wider bands of whites. Some have a zigzag design that recalls the lightning and eye-dazzler patterns of Navajo weavings.

Susan Davis, an anthropologist who studies Morocco, specializes in the flat weaves. Her current rug inventory starts around $200 (including shipping) for Middle Atlas flat weaves and rises to $2,000 for a fine Zemmour piece that she dates as "maybe 50 or 60 years old."

The Pile Rugs
Weavers in the same above regions also produce pile rugs, made from adding knots to the warp or weft of a rug. Pickering, who says that 50 percent of her sales are to interior designers, has seen a surge in demand for these rugs over the last 10 years. "I think the interest in the pile rug goes along with a '70s acceptance of shag carpeting," she said. "And the rugs fit with a very retro, mid-century modern kind of decor. There's a kind of warmth and minimalism that really appeals to people today."

According to Pickering, color is also a draw. Unlike the flat weaves many pile rugs have an orange or "hot saffron" color that was carefully avoided several years ago. Now, Pickering says, her buyers seek out the spicy color, and are willing to pay a small premium for it.




Jori Finkel is senior editor of Art & Auction magazine. She writes about the art market and e-commerce from New York.


Pricing Dynamics

As for the market as a whole, Pickering says that prices over the last decade have increased, but slowly. She compares the market for Moroccan rugs today to that for Turkish rugs in the '60s. "When my father (W. Russell Pickering) started collecting Turkish kilims and flat weaves from the Middle East in the early '60s, they were really cheap. Dealers didn't really consider them to be valuable," said Pickering. "It's hard to believe now, but I don't think there was an exhibit of flat-woven rugs in a museum here until 1969."

And Moroccan rugs, whether flat weave or pile, are also available for reasonable prices. "There are so many different types of rugs that it's hard to generalize," said Pickering. "But I would say that if you're looking at 5-feet-by-9-feet rugs, you're not talking about something really small, and you're not talking about something super collectible, prices tend to fall between $1,100 and $2,800."

Within that range, there are several factors that help determine a rug's value. At the top of the list is artistry: In such a young market, it is not a mistake to buy for beauty. One can expect color, the evenness of the weaving, and the individuality of the design to directly impact the price.

There are also pedantic considerations, such as size. Small rugs of 3 by 5 feet sell for considerably less than the large floor coverings that measure 5 feet wide and 9 or 10 feet long.

Material is another factor. How fine is the wool? Has any silk been woven into it? To ensure the material is wool, you can (seller willing) light a match to the corner of the rug. Burning wool should shrivel when lit and smell like burning hair; a synthetic, which burns with a flame, will not. Gauging the quality of the wool is not so scientific, but dealers say you know it when you see it. The High Atlas region in particular produces some very good wool, which is said to have "an unmistakable sheen."

Age, though hard to verify, also matters. An early 20th century provenance or earlier can occasionally boost the price of a Moroccan rug beyond $5,000. Indeed, Circline.com, a New York-based site that sells art and antiques on behalf of dealers, recently offered a "large and unusual Moroccan 1940s wheat ground natural and undyed sheep's wool carpet with brown diaper patterning" for the whopping sum of $26,500. One might imagine that this rug, which comes from the Beni Ouarian tribe north of Fez and measures an impressive 6.25 by 17 feet, is sufficiently unique to surpass normal prices.

Or, the price could be a case of wishful thinking on the part of the seller--a common occurrence in such a young market, where the price ceiling is still being tested.



 

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